 The series revolves around the day-to-day lives and loves of two musicians, Jemaine and Bret (Jemaine Clement and Bret McKenzie, playing fictionalised versions of themselves), who have uprooted themselves from their native New Zealand to try to make it big as a novelty folk duo in New York City. The two have frequent appointments with their band manager, Murray (Rhys Darby), a Deputy Cultural Attaché at the New Zealand consulate, who is overly officious and ineffectual. Jemaine and Bret constantly fend off the amorous attentions of Mel (Kristen Schaal), a married woman who is their sole fan and stalker. Their friend Dave (Arj Barker) works at a pawn shop and gives them advice on dealing with American women and culture. Other recurring characters include their landlord, Eugene (played by Eugene Mirman), Bret's short-term girlfriend Coco (Sutton Foster) and Jemaine and Bret's ex-girlfriend Sally (Rachel Blanchard). Most episodes revolve around the five main cast members. The antagonists outside of this small group are usually either their girlfriends or Australians (see "Bret Gives Up the Dream", "Sally Returns"). Jemaine or Bret break into song periodically throughout each episode. The songs are built into the narrative structure of the show in several different ways. Some songs form part of the actual plot of the show. In these instances, Bret or Jemaine sings to another character. Other songs serve as the internal monologue of one of the two. Typically, at least once per show, a song is shot in the form of a music video. Some songs use a combination of the styles. For example, in the first episode, "Sally", the song "Most Beautiful Girl in the Room" is a mix of Jemaine's inner thoughts, which are inaudible to those around him, and his spoken invitations to Sally to get a kebab and to go back to his place, while the music video for "Business Time" (from "Sally Returns") depicts a daydream that Jemaine is having. The enthusiastic manner in which the characters express themselves through song is in stark contrast to the very low-key, monotone manner in which the characters express themselves throughout the rest of the show. Thus, when the characters cannot verbalize their feelings, the songs serve as inner monologues and explain the thoughts and feelings they are unable to communicate to others. |
